The $100 Guitar Project 2 CD was released on Bridge Records, Inc this January. To read all about the project, go to: http://www.100dollarguitar.com. Also, important to mention is that royalties on every sale will be paid directly to CARE, a leading humanitarian organization fighting global poverty.
It all started in October 2010 and I found about the project a month later. In January 2011, I picked up the guitar from Elliott Sharp in downtown NYC, had it for a week in Sunnyside, Queens and then dropped it off with Ron Anderson (PAK) in Park Slope, Brooklyn.
pickup from Elliott Sharp, January 2011 (downtown NYC)
dropoff to Ron Anderson, January 2011 (Park Slope, Brooklyn)
I’ve always believed that the player makes the guitar. My first impression of the $100 guitar was that, yes, it was a real cheapo, but found that it had a good amount of resonance, was a bit quirky and a lot of character. I was taken aback by the unusually long headstock. Actually, I hated how that looked.
So, I plucked around and thought, what kind of sounds can I get on this thing? After some thought, it came to me to compose a piece that incorporated all kinds of sounds from the instrument. This approach is not too far off from what I’ve done in the past. But with writing a short piece (a little over 2 minutes), I had to find a compelling way (at least to me) to demonstrate these sounds in a short amount of time without coming off contrived.
So, I plugged it in and with the help of a Boss GT-6 multi effects processor, and some alligator clips, I got to work. Recorded a few improvisations and grabbed a bunch of samples…
What we end up with is a piece called Red Cent. The title inspired by it being a $100 red guitar. Cent means a hundred in French. And the phrase, “Not worth a red cent.” Anyway, you get the idea…
My signature right below the high E string – now slightly worn.
After having listened to the 2CD a few times already, I am so impressed with what is a wonderful variety of music (65 players = 69 tracks. Wow). Special thanks go out to Nick Didkovsky and Charles O’Meara for coming up with this great idea. I enjoy visualizing that guitar being passed around having traveled over 30,000 miles and hearing all the great sounds coming from it. I got to see it again just a few weeks ago at the CD listening party in NYC. It still amazes me that it is still in one piece.
Hear an excerpt of my $100 Guitar piece, Red Cent:
To purchase the 2CD album: http://www.amazon.com/dp/B00AEDZB5M/ or
with my then 6 1/2 month old daughter, Jillian Maisie, January 2011 (Sunnyside, Queens, NYC)
List of $100 Guitar Project participants:
Alex Skolnick, David Starobin, Elliott Sharp, Mike Keneally, Barry Cleveland, Fred Frith, Henry Kaiser, Mark Hitt, Keith Rowe, Nels Cline, Andy Aledort, Hillary Fielding, John Shiurba, Karl Evangelista, Phil Burk, Ray Kallas, Janet Feder, Thomas Dimuzio, Julia Miller, Chris Murphy, Chuck O’Meara, Marty Carlson, Shawn Persinger, Kai Niggemann, Steve MacLean, Ken Field, Roger Miller, Michael Bierylo, Bill Brovold, Larry Polansky, Biota Bill Sharp, Ava Mendoza, Amy Denio, Bruce Eisenbeil, Caroline Feldmeier, Colin Marston, David Linaburg, Hans Tammen, James Moore, Jesse Krakow, Jesse Kranzler, Joe Bouchard, Jon Diaz, Josh Lopes, Kobe Van Cauwenberghe, Marco Cappelli, Marco Oppedisano, Joe Berger, Mark Solomon, Mark Stewart, Mike Lerner, Nick Didkovsky, Rhys Chatham, Ron Anderson, Taylor Levine, Tom Marsan, Greg Anderson, Han-earl Park, Del Rey, Teisco Del Rey, Matt Wilson, Bruce Zeines, Toon Callier/Zwerm, Juan Parra, and Wiek Hijmanns.